Ordinary Life

Stories

About the Book

NATIONAL BESTSELLER • “An extraordinary short story collection that deserves our closest attention.”—Detroit Free Press

“Elizabeth Berg’s gift as a storyteller lies most powerfully in her ability to find the extraordinary in the ordinary, the remarkable in the everyday.”—The Boston Globe

In this superb collection of short stories, Elizabeth Berg takes us into pivotal moments in the lives of women, when memories and events come together to create a sense of coherence, understanding, and change. In “Ordinary Life,” Mavis McPherson locks herself in the bathroom for a week, shutting out her husband and the realities of their life together—and no, she isn't contemplating a divorce. She just needs some time to think, take stock of her life, and to arrive, finally, at a surprising conclusion.

In “White Dwarf” and “Martin's Letter to Nan,” the secrets of a marriage are revealed with sensitivity and “brilliant insights about the human condition” (Detroit Free Press) that have become trademark of Berg's writing. The Charlotte Observer has said, “Berg captures the way women think as well as any writer.” Those qualities of wisdom and perception are everywhere present in Ordinary Life.
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Praise for Ordinary Life

“Berg’s . . . deftly drawn pictures of ordinary life can help remind us of its oft-unheeded charms.”Los Angeles Times
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Excerpt

Ordinary Life

Chapter 1

Ordinary Life: A Love Story

Mavis McPherson is locked in the bathroom and will not come out. The tub is lined with pillows and blankets. Under the sink, next to the extra toilet paper, there is an economy-sized box of Wheat Thins, a bowl of apples, and a six-pack of Heath bars. Against the wall, under the towel rack, is a case of Orangina, and next to that is a neat pile of magazines and three library books. A spiral-bound notebook and pen lie on top of the toilet tank. Hanging from the hook on the back of the door are several changes of underwear.

Mavis is on retreat, she tells her husband through the crack in the door when he comes home that evening. Al volunteers at St. Mary's Hospital, dividing his time between delivering newspapers to patients and helping maintenance fix faulty equipment, though this is a secret from the administration-volunteers aren't supposed to do that. Al's mechanical skills are legendary, but he is not known for his sense of humor. "Come on, Mavis," he sighs. "What's for dinner?"

"You might as well go on over to Big Boy," Mavis tells him. "I'm not cooking dinner. I'm not coming out for a week or so. It's nothing personal." She leans her ear against the crack in the door, listening for his response.

She hears only the wheezy sounds of him breathing in and out. She's afraid Al has emphysema, but he won't go to a doctor. "See 'em enough at the hospital," he always says. "Stuffy little bastards." She tries to look through the crack in the door, sees a tiny slice of Al's blue shirt, a piece of his ear. "Let me in, Mavis," he finally says, rattling the doorknob. "I gotta use the can."

"You know perfectly well we have another bathroom. You'll have to use that."

"I don't like that one. And it doesn't have a bathtub."

"Well, I know that."

"So how am I supposed to shower?" Al likes to shower in the evening, a characteristic Mavis has never liked, finding it somehow effeminate. Overall, though, she has few complaints. She loves Al dearly.

"You'll have to ask the neighbors," Mavis says. "Or maybe the Y. I'll bet the Y would let you shower there."

Silence. Then Al says, "What is this, Mavis, a fight? Is it a fight?"

She steps back, fingers the ruffled collar of her white blouse. "Why, no," she says, a little surprised. "I just got an idea that I really want some time completely to myself. And I'm taking it. I don't see the point in running off somewhere. We can't afford it anyway. Can we?"

Nothing.

"So," she says, "I'll stay right here. I don't need anything but some quiet. I want to be in a small room, alone, to just . . . relax, and not do anything else. I was thinking of the ocean, but this is fine."

"Oh, boy. I'm calling the kids," Al says. "And I'm calling Dr. Edelson or Edelman or whoever that robber is that you go to every twenty minutes. You've gone around the bend this time, Mavis. What have you got in there, Alzheimer's? Is that it?" He knocks loudly at the door. "Mavis, have you lost your goddamn mind?"

Mavis goes to the mirror to look at herself, tightens one of her pearl studs that has loosened, then walks back to the door. "I am seventy-nine years old, Al," she says softly, into the crack.

"What's that?"

"I say I'm seventy-nine years old," she says, louder.

He inhales sharply. "Aw, jeez. This is about my missing your birthday?"

"It's not my birthday for five months, Al. Remember? I was born in December. In a blizzard. Remember?"

"Well, I'm calling the kids," Al says. "Yes sir. All three of them. Right now." She hears his voice moving down the hall. "And your doctor, too."

"That's not necessary," Mavis calls out. And then, yelling, "Al? I'm not going crazy. I'm just thinking. I was going to tell you about this, but you . . ."

He can't hear her. She sits down on the closed seat of the toilet, peels the wrapper off a candy bar. "I am seventy-nine years old," she says aloud, and takes a bite. This is the beginning of what she wanted to say. Truthfully, she wasn't sure what would come next; she figured it would just happen, naturally. She examines the candy bar as she chews. She has always liked this, looking at food while she eats it. Makes it taste better. She wonders how they get that curly little swirl on the top of every candy bar. It's a nice touch, even though some machine did it and it is therefore not sincere. She crosses her legs, gently swings the top one, then leans over to the side to inspect it. She used to have great legs. "Oh, honey," Al had said the first time he undid her garters and pulled her nylons off. "Look at these gams." He had kissed her thighs, and she blushed so furiously she thought surely he'd see it in the dark. They were on their honeymoon, in a cottage in the Adirondacks. Her hair had been long and honey blonde, pulled back at the sides by two tortoiseshell combs, curled under at the bottom in a pageboy. The Andrews Sisters were on the radio at the moment she lost her virginity, her white negligee raised high over her breasts, one comb fallen off and digging into her shoulder, though not unpleasantly. She shook so hard when Al entered her he wanted to stop, but she wouldn't let him. "It's fine, honey," she said. "It just hurts." Her fingers were balled into fists against his back and she uncurled them, tried to relax. She looked for a place on the ceiling to focus on. She'd concentrate on that, take her mind off things.

"I can wait," Al had said. "Why don't I wait?" He'd raised himself up, tried to look into her face. But she hid herself in his shoulder, embarrassed and silent, then giggling.

"I don't think that helps, waiting," she'd finally said. "You just go on ahead. It's all right."

Afterward, they'd made a nest of the blankets and pillows, faced each other in the dim light, spoke in low tones of all the things they wanted to do: candlelit dinners every Saturday night, four children, the biggest Christmas tree on the lot every year. They touched each other's faces with the tips of their fingers, probed gently at the openings between each other's lips. At breakfast the next morning, Al had said Mavis looked different. More womanly. She said she'd noticed exactly the same thing.

He took her hand, she put down her fork, and they went back to the bedroom. Already they had a special language, Mavis had thought, and the intimacy grounded her, fueled her. It hadn't hurt so much the second time.

"Hey, Mavis," Al says now, banging on the door. "Jonathan wants to talk to you. He's on the phone. You'd better come out here."

Mavis walks to the door, straightens her skirt, speaks loudly into the crack. "Listen to me, Al. I just told you I want to have a week to myself. I'm not coming out to talk on the telephone to Jonathan or any of the other children. I wish you'd stop running off and just let me tell you about this. No need to take offense or to think I'm crazy. For heaven's sake."

"Jonathan is on the phone, long distance," Al says.

Mavis rolls her eyes. "Well, I guess I know it's long distance, Al. If he lives in California and we live in Minnesota, then obviously it's long distance."

"So what am I supposed to say? That his mother can't be bothered talking to him?"

Mavis sighs, thinks for a moment. Jonathan in the Bathinette, his baby fists waving, his palm-sized chest rising up and down excitedly. "Water," Mavis is saying. "Yes, it's water, darling." A kerchief is around her head. She is wearing red lipstick and open-toed shoes.

Quietly, Mavis says, "Go and tell Jonathan that I'm fine, Al, that I'll call him in a week. And don't you say anything else. I can hear you, you know!"

She can't, of course, the phone is too far away, but Al doesn't know that. His hearing is starting to go, hers has thus far remained the same, so as far as Al is concerned, Mavis's hearing is suddenly extraordinarily acute.

"And come back after that," Mavis says. "I want to talk to you."

"The hell I will," Al says. "I'm going out."

"Where to?"

"The straitjacket store, that's where."

Big Boy, Mavis thinks. Well, good. When he comes back he'll be in a better mood. He'll get beef because she's not around to tell him not to, probably a cream pie for dessert, too. Fine. Then she'll be able to talk to him. Maybe he'll feel a little guilty about what he ate. That will work entirely to her benefit as well.

She slips off her shoes, climbs into the bathtub, lies back against the pillows. It's really not bad. For once in her life, she is happy she's so short. She wiggles her toes inside her nylons. She should have dressed more casually. She undoes the button on her skirt, then unzips it slightly. There is a tan-colored stain on her blouse between the second and third button. Coffee? She wets her finger, rubs at it. Well, she'll soak it later. It's convenient being in here. She closes her eyes. She's really very comfortable, could probably take a nap right now. But then it will be hard to sleep later on tonight.

She arranges the pillows to act as a backrest and climbs out of the tub to get a magazine. She feels the mean pull of arthritis in her knees. She selects a Good Housekeeping, climbs back in the tub, starts flipping through the pages, and realizes she's already looked at this one-there's the place where she tore out the recipe for low-fat lemon chicken.

About the Author

Elizabeth Berg
Elizabeth Berg is the author of many bestselling novels, including The Story of Arthur Truluv, Open House (an Oprah’s Book Club selection), Talk Before Sleep, and The Year of Pleasures, as well as the short story collection The Day I Ate Whatever I Wanted. Durable Goods and Joy School were selected as ALA Best Books of the Year. She adapted The Pull of the Moon into a play that enjoyed sold-out performances in Chicago and Indianapolis. Berg’s work has been published in thirty countries, and three of her novels have been turned into television movies. She is the founder of Writing Matters, a quality reading series dedicated to serving author, audience, and community. She teaches one-day writing workshops and is a popular speaker at venues around the country. Some of her most popular Facebook postings have been collected in Make Someone Happy and Still Happy. She lives outside Chicago. More by Elizabeth Berg
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