Vigil

A Novel

About the Book

“After his spectacular Lincoln in the Bardo, Saunders returns . . . with a new novel even more spectacular than the last.”—Los Angeles Times

A “daring” (Time) novel from the #1 New York Times bestselling, Booker Prize–winning author of A Swim in a Pond in the Rain and Tenth of December, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next

“Vibrant, fiendishly clever . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated.”—The Boston Globe


Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.

She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?

Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.

With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.
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Praise for Vigil

“Anyone who loves George Saunders’s writing can tell you about his wicked imagination: luminous, dark, wholly original, and quite frequently supernatural . . . The twin currents that run through these and all of his works, including his newest novel, Vigil, about a spirit tending to a dying oil executive, is large-heartedness paired with unsparing wit. Saunders is funny. Hilarious even.”The Atlantic

“Vibrant, fiendishly clever . . . Vigil is leaner than “Lincoln in the Bardo,” but no less revelatory in its grasp of history and humanity, how and why our lives are shaped by politics that whorl around us . . . Saunders varies pointillist technique with staccato dialogue, slapstick humor, even touches of horror. It’s all thrilling on the page . . . Vigil is pure Saunders: the death of empathy, he insists, is greatly exaggerated. He pushes back, a burst of surprises and sudden grace.”The Boston Globe

“As the winner of the Booker Prize, Saunders sets a high bar, and his latest easily clears it. Vigil explores the act of dying: what you regret, who you apologize to, and what you are proudest of. Saunders also imagines dying in an evocative, active way while also making time to explore capitalism, greed, and everything else you might regret in your last hours.”Harper’s Bazaar
“Saunders tucks stories within stories, his prose rich with daring experimentation and his trademark compassion.”TIME

“It seems unfair that, after his spectacular Lincoln in the Bardo, Saunders returns with not just another novel featuring a ghost, but with a new novel even more spectacular than the last. ‘Who else could you have been but exactly who you are?’ says the newly incarnated Jill ‘Doll’ Blaine, sent to comfort nefarious oil tycoon K. J. Boone in his last hours alive a statement that in no way diminishes the political urgency of this spare, lovely book.”The Los Angeles Times

“Saunders doing capitalism, climate, and the afterlife in one swing? Sold.”Oprah Daily

“The bard of the afterlife returns with Vigil, a slim yet existentially complex novel about a woman guiding an oil company CEO to death in his waning hours. George Saunders has long been one of the writers best equipped to explore despicable people with clear-eyed compassion, and in his latest he takes aim at his toughest task yet . . . tender yet unsparing.”Chicago Review of Books

“In this cartoony, ping-ponging mix of pratfalls, philosophy, psychological nuance, and environmental laments, Saunders once again imagines the afterlife as he did in his Booker Prizewinning Lincoln in the Bardo. In this purposeful, funny, and lacerating variation on Dickens’ A Christmas Carol, Saunders ponders suffering and repentance in a wily indictment of greed, greenwashing, and planetary devastation.”Booklist, starred review

“A magnificent expansion of consciousness . . . Saunders has crafted a novel that feels deeply resonant, especially in these fractious times.”Kirkus Reviews, starred review

“Staggering . . . Saunders has outdone himself with this endlessly irreverent work of art.”Publishers Weekly, starred review
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Excerpt

Vigil

What a lovely home I found myself plummeting toward, acquiring, as I fell, arms, hands, legs, feet, all of which, as usual, became more substantial with each passing second.

Below: a fountain.

At the center of the fountain: a gold-­plated statue.

Of a dog. (Someone must have really loved that dog.)

In the mouth of the golden dog: a golden duck. The duck’s beak was hanging open in death and a pocked area in its flank seemed meant to represent the entry-­field of the shot-­cluster.

I observed all of this as I plummeted past and then my head and torso pierced the asphalt crust of a semicircular drive and lodged in the dirt below.

My rear was in the air, my fresh new legs bicycling energetically. I found myself alternately clothed and unclothed. That is to say: one instant naked and the next clothed. Or to be more precise: partly clothed. (Over time, that is, the elements of my outfit grew more reliably visible.)

My beige skirt soon became a near constant.

Meanwhile, here was a burrowing worm to consider and a brown bottle-­shard and the rich smell of the loam now completely encasing my (inverted) upper half.

Once in Tennessee, having landed in the more conventional upright posture, I spent six hours in a paddock, my head protruding above the surface of the earth, being trotted through again and again by three black horses and one roan, who never, during those hours, ceased being panicked by my presence.

And yet I had a fine success on that occasion.

My charge being greatly comforted.

Tonight, blessedly, the thaw proceeded quickly.

And I found myself able, by sheer force of will, to bolt up out of the ground gymnastically and stand upright, both fully and consistently clothed.

Beige skirt, pale pink blouse, black pumps.

The golden dog shone in the glare of an ornate carriage lamp.

I made for the front door and, not yet walking competently, collapsed to the earth like a just-unstrung puppet, then leapt to my feet and moved on relentlessly to my work.

The door (immense, heavy, dead-­bolted) presented no meaningful impediment. Passing through, I emerged into a magnificent entryway, then ascended a spacious stairwell lined with image after image of my charge:

Leaning confidently against a podium, speaking to a tremendous crowd.

Squatting with a kaffiyeh-­wearing fellow before the Great Pyramid of Giza.

Knee-­deep in the shallows of some high mountain lake, beside a young woman I took to be his daughter.

Driving (pretending to drive) a piece of heavy machinery, wearing a hard hat and a three-­piece suit.

Posing before an oil rig.

And another.

And another.

Standing with his wife on the Great Wall of China, both beaming as if this represented a singular moment in their union.

Arm in arm with her in what looked to be the Rose Garden of the White House.

With her again, before what I understood to be a second home, in Colorado.

And a third, in Hawaii.

A fourth, in Key West.

Often, on his face, the same look: more grimace than smile, albeit shot through with a measure of forced goodwill.

Reaching the second floor, I moved along a hallway hung with numerous paintings in gilt frames, each marked by a plaque mentioning some experience our charge and his wife associated with its acquisition:

“Lovely cliffside dinner, Positano.”

“Catacomb tour, Paris, Mr. Pavarotti sang beautifully for us after dinner.”

“Guest of Senator Jepps and Maria in their fabulous desert home.”

At the end of the hall hung a double door of sturdy oak.

A familiar tan purse now appearing over my shoulder, I patted it (once, twice) as I would in the bygone days when about to embark on a challenging task, then passed through, knowing that my charge must be found on the other side.

And here he was.

A tiny, crimped fellow in an immense mahogany bed.

I was not too late.

Neither was I too early.

His wife, exhausted by care, slept fully dressed on a love seat near the bed. Her slippers lay on the floor, turned in toward each other as if being worn by some invisible pigeon-­toed individual.

But she was not my concern.

My charge’s sleeping clothes were of silk, his initials monogrammed above the heart.

Moving closer, I entered the orb of his thoughts.

Within him abided a formidable stubbornness. A steady flow of satisfaction, even triumph, coursed through him, regarding all he had managed to do, see, cause, and create, especially given his humble origins.

I scanned for doubts regarding things he had done or left undone; things he might have said but had not; mistakes to which he had not yet fully admitted, any of which might keep him from attaining that state of total peace so to be desired at this juncture.

And found nothing, or nearly nothing.

He was as sure of himself as ever a charge of mine had been.

Even now, as the terrible illness overtook him.

I felt again the old, familiar, generalized fondness:

Before me lay a person who had not willed himself into this world and was now being taken out of it by force, the many subsystems within him that had always given him so much satisfaction shutting down agonizingly. Soon it would come, accompanied by disbelief and panic, and he would find himself on the wrong side of a rapidly closing door, everything he had ever known and loved out of reach, over there, beyond it.

At such moments, I especially cherished my task.

I could comfort.

I could.

I moved to the window to energize and activate that part of myself from which I comforted, by glimpsing out indulgently at the glory of all-­that-­is.

To my surprise, down below, near the statue of the golden dog, stood one of our ilk, looking up.

He must be one of us, for he seemed able to see me.

And began beseeching me, by way of a complicated series of gestures, to indulge him, by exiting the home and floating down for a quick word, if I would be so kind.

I passed out through the wall, the stale quiet of the death room giving way to the smell of the humid air without and the lovely nighttime sound of cicadas, all my clothes now properly affixed and permanent, a happy development, since I must now greet this new acquaintance.

The fellow appeared exhausted, as if he had traveled a great distance to be here. Wearing the rough garb of a mechanic or railway engineer, he struggled under the weight of a tremendous stack of papers, the top of which was invisible among the low-­hanging midsummer clouds. Its great height causing the stack to exist in a continual state of sway, he must, to Pprevent it from toppling, continuously be adjusting his posture.

He was indeed one of us.

For I could see, through his body, the trunk of an oak across the street.

He implored me, in fluent but accented English: Might I allow him up into that room, briefly, as a courtesy? Est-­il possible? He understood that this might represent an inconvenient interruption of my work. Which, perhaps, had not yet begun in earnest? He possessed certain information he felt would prove beneficial. To my charge. Also, if he was being entirely transparent—­

You are, I said. Entirely.

We shared a laugh.

If I am being entirely frank, he restated, it would benefit me as well. I would be most grateful. I assure you I will do no harm: Je vous promets.

His forlorn appearance engaged my compassion. His clothing was in tatters, he was filthy with the dust of the road, his shoes mere flaps of leather, his feet blistered and bloody.

And, if possible, he said, I would prefer to go up alone.

Alone, I said.

S’il vous plaît, he said.

It was an immense task we of our ilk were engaged upon. We constituted a guild of sorts, that depended for its work upon such mutual gestures of courtesy.

I indicated with a slight inclination of my head that I would allow it.

Kindly be quick, I said.

Up the Frenchman leapt, showing a surprising agility for one so burdened, his immense stack of papers seeming to inhibit him not a bit.

About the Author

George Saunders
George Saunders is the author of nine books, including the novel Lincoln in the Bardo, which won the Man Booker Prize, and the story collections Pastoralia and Tenth of December, which was a finalist for the National Book Award. He has received fellowships from the Lannan Foundation, the American Academy of Arts and Letters, and the Guggenheim Foundation. In 2006 he was awarded a MacArthur Fellowship. In 2013 he was awarded the PEN/Malamud Award for Excellence in Short Fiction and was included in Time’s list of the one hundred most influential people in the world. He teaches in the creative writing program at Syracuse University. More by George Saunders
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