A Room of One's Own

A Room of One's Own

Introduction by Merve Emre

About the Book

A Contemporary Classics hardcover edition of Virginia Woolf’s classic plea for a world in which women are free to use their gifts.

In this influential extended essay, Virginia Woolf outlined what women need in order to fully make use of their abilities. Through powerful images and memorable thought experiments--such as a fictional sister of William Shakespeare, who is as talented as her brother but limited in ways he was not--Woolf analyzes the many ways in which women have been held back throughout history and still are in her own time. First published in 1929, A Room of One's Own has been a towering and inspirational statement of feminist principles for nearly a century--and remains relevant now, at a time of growing awareness of the kind of social injustices that she decried.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
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Everyman's Library Contemporary Classics Series

A Farewell to Arms
A Room of One's Own
Waiting
Motherless Brooklyn; The Fortress of Solitude
The Fire Next Time; Nobody Knows My Name; No Name in the Street; The Devil Finds Work
The House on Mango Street
The White Guard
Orlando
The Intuitionist
Hope Against Hope
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About the Author

Virginia Woolf
VIRGINIA WOOLF (1882-1941) was born in London. A pioneer in the narrative use of stream of consciousness, she published her first novel, The Voyage Out, in 1915. This was followed by literary criticism and essays, most notably A Room of One’s Own, and other acclaimed novels, including Mrs. Dalloway, To the Lighthouse, and Orlando. More by Virginia Woolf
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About the Author

Merve Emre
MERVE EMRE is an associate professor of English at the University of Oxford. She is the author of Paraliterary: The Making of Bad Readers in Postwar America. Her work has appeared or is forthcoming in The New YorkerHarper's Magazine, Bookforum, The New York Times Magazine, The Atlantic, The New Republic, The Baffler, n+1, and the Los Angeles Review of Books, where she is senior humanities editor. More by Merve Emre
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