Dead Girl Cameo

Dead Girl Cameo

A Love Song in Poems

About the Book

A dazzling docupoetic debut collection interweaving personal loss with the life stories of Aaliyah Haughton, Whitney Houston, Lisa “Left Eye” Lopes, Phyllis Hyman, Selena Quintanilla-Pérez, and others to explore sexuality, survival, queer mourning, and the afterlives of stardom

“Studded with perfect little jewels of looking, of feeling, of deep knowing . . . These poems haunt, and celebrate, and mourn.”—Safia Elhillo, author of Girls That Never Die


“I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. Reflected in my palms, what I’ve made into water
glows amethyst”

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

Through sensual imagery, speculative verse, and splendid wordplay, Dead Girl Cameo takes us beyond the headlines, innovating a Black feminist poetic that traverses the richly textured realms of grief, girlhood, love, widowing, femme friendship, and queer fandom.
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Praise for Dead Girl Cameo

“powell is a ferocious writer with an unapologetic voice. She explores how we treat our heroes, and what heroes do and do not owe us. The poems are odes to those we lost (Whitney Houston, Left Eye) and a reminder that we’re all hiding pain. Moving and refreshing. A knockout.—Debutiful

“This lyrical and haunting debut poetry collection follows the lives of music icons, including Aaliyah, Selena, Whitney Houston, and more. It reflects on the work they have done that impacted the author’s childhood as a queer Black woman. These icons transformed more than just the music industry; their artistry shaped generations of fans beyond their time.”She Reads

Dead Girl Cameo is not only an interrogation of the way society and celebrity culture fails girls, particularly those who are Black and queer; it is also a generous imagining of the lives that are possible when girlhood is protected and tended to.”—Brittany Rogers, author of Good Dress

“These poems haunt, and celebrate, and mourn, and, to borrow the poet’s own language, invent ‘other words for gold.’ I adore this book, and I look forward to seeing its work in the world.”—Safia Elhillo, author of Girls That Never Die

“An orchestra of tenderness marks the brilliance of this book. mick is a star.”—Camonghne Felix, author of Dyscalculia

“Through an innovative blend of queer feminist theory, collage, and docupoetics, powell pens a gorgeous elegy to some of our greats and revives them in perpetuity by countering their life’s violence with a love that is pure, queer, and infinite.”—Dr. Taylor Byas, author of I Done Clicked My Heels Three Times

Dead Girl Cameo stitches many tender odes, counternarratives, and snapshots of Black girlhood—from the violence to the beauty of it—into the warmest protective quilt for its subjects. powell’s formal and lyrical prowess make Dead Girl Cameo a propulsive and genius debut that I’ll never stop thinking about.”—Jae Nichelle, author of God Themselves

Dead Girl Cameo is a revelation, returning pounds of flesh to our fallen icons with a lyric pulse strong enough to resurrect. Its pages reach through the mycelial network of Black queer girlhood, recovering the fugitive eros of their lives.”—Kemi Alabi, author of Against Heaven
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About the Author

m. mick powell
m. mick powell is a queer Black Cape Verdean femme, a poet, an artist, an Aries, and author of the chapbooks threesome in the last Toyota Celica and chronicle the body. Their poems have been nominated for the Best of the Net Anthology and a Pushcart Prize, and appear in RHINO, Muzzle, Up the Staircase Quarterly, and elsewhere. mick is a professor of gender and sexuality studies at the University of Connecticut and an adjunct in Bay Path University’s MFA in creative nonfiction writing program. A former Tin House Resident, she enjoys chasing waterfalls and being in love. More by m. mick powell
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