A Passage North

A Novel

Paperback

Ebook

Award Winner

July 13, 2021 | ISBN 9780593230718

AmazonApple BooksBarnes & NobleBooks A MillionGoogle Play StoreKobo

Audiobook Download

Award Winner

July 13, 2021 | ISBN 9780593410530

Apple BooksBarnes & NobleGoogle Play StoreKobo

About the Book

SHORTLISTED FOR THE BOOKER PRIZE • A young man journeys into Sri Lanka’s war-torn north in this searing novel of longing, loss, and the legacy of war from the author of The Story of a Brief Marriage.
 
“A novel of tragic power and uncommon beauty.”—Anthony Marra
“One of the most individual minds of their generation.”—Financial Times

SHORTLISTED FOR THE DYLAN THOMAS PRIZE • ONE OF THE BEST BOOKS OF THE YEAR—Time, NPR

A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother’s caretaker, Rani, has died under unexpected circumstances—found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind. 
 
As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for Rani’s funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, as well as an unsparing account of the legacy of Sri Lanka’s thirty-year civil war, this procession to a pyre “at the end of the earth” lays bare the imprints of an island’s past, the unattainable distances between who we are and what we seek.
 
Written with precision and grace, Anuk Arudpragasam’s masterful novel is an attempt to come to terms with life in the wake of devastation, and a poignant memorial for those lost and those still living.
Read more
Close

Listen to a sample from A Passage North

Praise for A Passage North

“In sentences of unusual beauty and clarity, Arudpragasam observes even the most mundane of actions . . . with an attention so absolute it feels devotional. He is equally gifted at atmospheric, sensory description that transports the reader to Sri Lanka and India and at examining the emotions—elation, fear, impatience, satisfaction, shame—that simmer below the surface of our everyday lives.”—The New York Times Book Review

“It can take just two novels to establish a writer as one of the most individual minds of their generation. With his new novel, a revelatory exploration of the aftermath of war, Arudpragasam cements his reputation. [An] extraordinary and often illuminating novel.”Financial Times
 
“A tender elegy . . . [a] wholehearted and necessary act of preservation by its author.”—NPR
 
“[A] profound meditation on suffering . . . survivor’s guilt and war’s aftermath. In dense, hypnotic prose, Arudpragasam explores the desire for independence that enflamed the decades-long civil war, the violence that ensued and the emotional scars that refuse to heal.”The Guardian

“Sumptuous . . . reminiscent of Michael Ondaatje’s Anil’s Ghost.”Oprah Daily
 
“Mesmerizing, political, intimate, unafraid—this is a superb novel, a novel that pays such close, intelligent attention to the world we all live in.”—Sunjeev Sahota, author of The Year of the Runaways

“Written with scrupulous attention to nuance and detail, A Passage North captures the rich interior of its protagonist's mind but also contemporary Sri Lanka itself, war-scarred, traumatized. At its center is an exquisite form of noticing, a way of rendering consciousness and handling time that connects Arudpragasam to the great novelists of the past.”—Colm Tóibín, author of Brooklyn and The Testament of Mary

“Anuk Arudpragasam’s first book already showed what a fine novelist he was and this second novel provides proof, if any were needed, that he is a major writer, vastly accomplished.”—Amitava Kumar, author of Immigrant, Montana

“It’s difficult to think of comparisons for Arudpragasam’s work among current English-language writers; one senses, reading his two extraordinary novels, a new mastery coming into being.”—Garth Greenwell, author of Cleanness and What Belongs to You

“This is a novel as both an elegy and a love song, not only for a place, but for the souls, living and dead, who are bound to that place—what an unforgettable and perfect reading experience.”—Paul Yoon, author of Snow Hunters and Run Me to Earth

“A luminously intelligent, psychologically intricate novel.”Kirkus Reviews (starred review)
Read more
Close
Close
Excerpt

A Passage North

1

The present, we assume, is eternally before us, one of the few things in life from which we cannot be parted. It overwhelms us in the painful first moments of entry into the world, when it is still too new to be managed or negotiated, remains by our side during childhood and adolescence, in those years before the weight of memory and expectation, and so it is sad and a little unsettling to see that we become, as we grow older, much less capable of touching, grazing, or even glimpsing it, that the closest we seem to get to the present are those brief moments we stop to consider the spaces our bodies are occupying, the intimate warmth of the sheets in which we wake, the scratched surface of the window on a train taking us somewhere else, as if the only way we can hold time still is by trying physically to prevent the objects around us from moving. The present, we realize, eludes us more and more as the years go by, showing itself for fleeting moments before losing us in the world’s incessant movement, fleeing the second we look away and leaving scarcely a trace of its passing, or this at least is how it usually seems in retrospect, when in the next brief moment of consciousness, the next occasion we are able to hold things still, we realize how much time has passed since we were last aware of ourselves, when we realize how many days, weeks, and months have slipped by without our consent. Events take place, moods ebb and flow, people and situations come and go, but looking back during these rare junctures in which we are, for whatever reason, lifted up from the circular daydream of everyday life, we are slightly surprised to find ourselves in the places we are, as though we were absent while everything was happening, as though we were somewhere else during the time that is usually referred to as our life. Waking up each morning we follow by circuitous routes the thread of habit, out of our homes, into the world, and back to our beds at night, move unseeingly through familiar paths, one day giving way to another and one week to the next, so that when in the midst of this daydream something happens and the thread is finally cut, when, in a moment of strong desire or unexpected loss, the rhythms of life are interrupted, we look around and are quietly surprised to see that the world is vaster than we thought, as if we’d been tricked or cheated out of all that time, time that in retrospect appears to have contained nothing of substance, no change and no duration, time that has come and gone but left us somehow untouched.

Standing there before the window of his room, looking out through the dust-­coated pane of glass at the empty lot next door, at the ground overrun by grasses and weeds, the empty bottles of arrack scattered near the gate, it was this strange sense of being cast outside time that held Krishan still he tried to make sense of the call he’d just received, the call that had put an end to all his plans for the evening, the call informing him that Rani, his grandmother’s former caretaker, had died. He’d come home not long before from the office of the NGO at which he worked, had taken off his shoes and come upstairs to find, as usual, his grandmother standing outside his room, waiting impatiently to share all the thoughts she’d saved up over the course of the day. His grandmother knew he left work between five and half past five on most days, that if he came straight home, depending on whether he took a three-­wheeler, bus, or walked, he could be expected at home between a quarter past five and a quarter past six. His timely arrival was an axiom in the organization of her day, and she held him to it with such severity that she would, if there was ever any deviation from the norm, be appeased only by a detailed explanation, that an urgent meeting or deadline had kept him at work longer than usual, that the roads had been blocked because of some rally or procession, when she’d become convinced, in other words, that the deviation was exceptional and that the laws she’d laid down in her room for the operation of the world outside were still in motion. He’d listened as she talked about the clothes she needed to wash, about her conjectures on what his mother was making for dinner, about her plans to shampoo her hair the next morning, and when at last there was a pause in her speech he’d begun to shuffle away, saying he was going out with friends later and wanted to rest awhile in his room. She would be hurt by his unexpected desertion, he knew, but he’d been waiting all afternoon for some time alone, had been waiting for peace and quiet so he could think about the email he’d received earlier in the day, the first communication he’d received from Anjum in so long, the first attempt she’d made since the end of their relationship to find out what he was doing and what his life now was like. He’d closed the browser as soon as he finished reading the message, had suppressed his desire to pore over and scrutinize every word, knowing he’d be unable to finish his work if he let himself reflect on the email, that it was best to wait till he was home and could think about everything undisturbed. He’d talked with his grandmother a little more—­it was her habit to ask more questions when she knew he wanted to leave, as a way of postponing or prolonging his departure—­then watched as she turned reluctantly in to her room and closed the door behind her. He’d remained in the vestibule a moment longer, had then gone to his room, closed the door, and turned the key twice in the lock, as if double-­bolting the door would guarantee him the solitude he sought. He’d turned on the fan, peeled off his clothes, then changed into a fresh T-­shirt and pair of shorts, and it was just as he’d lain down on his bed and stretched out his limbs, just as he’d prepared himself to consider the email and the images it brought to the surface of his mind, that the phone in the hall began to ring, its insistent, high-­pitched tone invading his room through the door. He’d sat up on the bed and waited a few seconds in the hope it would stop, but the ringing had continued without pause. Slightly annoyed, deciding to deal with the call as quickly as possible, brusquely if necessary, he’d gotten up and made his way to the hall.

The caller had introduced herself, somewhat hesitantly, as Rani’s eldest daughter, an introduction whose meaning it had taken him a few seconds to register, not only because he’d been distracted by the email but also because it had been some time since the thought of his grandmother’s caretaker Rani had crossed his mind. The last time he’d seen her had been seven or eight months before, when she had left to go on what was supposed to have been just a four-­ or five-­day trip to her village in the north. She had gone to make arrangements for the five-­year death anniversary of her younger son, who’d been killed by shelling on the penultimate day of the war, then to attend the small remembrance that would be held the day after by survivors at the site of the final battle, which was only a few hours by bus from where she lived. She’d called a week later to say she would need a little more time, that there were some urgent matters she needed to attend to before returning—­they’d spent more money than planned on the anniversary, apparently, and she needed to go to her son-­in-law’s village to discuss finances with her daughter and son-­in-­law in person, which wouldn’t take more than a day or two. It was two weeks before they heard back from her again, when she called to say she’d gotten sick, it had been raining and she’d caught some kind of flu, she’d told them, would need just a few more days to recover before making the long journey back. It had been hard to imagine Rani seriously affected by flu, for despite the fact that she was in her late fifties, her large frame and substantial build gave the impression of someone exceptionally robust, not the kind of person it was easy to imagine laid low by a common virus. Krishan could still remember how on New Year’s Day the year before, when they’d been boiling milk rice in the garden early in the morning, one of the three bricks that propped up the fully laden steel pot had given way, causing the pot to tip, how Rani had without any hesitation bent down and held the burning pot steady with her bare hands, waiting, without any sign of urgency, for him to reposition the brick so she could set the pot back down. If she hadn’t yet returned it couldn’t have been that she was too weak or too sick for the ride back home, he and his mother had felt, the delay had its source, more likely, in the strain of the anniversary and the remembrance on her already fragile mental state. Not wanting to put unnecessary pressure on her they’d told her not to worry, to take her time, to come back only when she was feeling better. Appamma’s condition had improved dramatically since she’d come to stay with them and she no longer needed to be watched every hour of the day and night, the two of them would be able to manage without help for a few more days.

About the Author

Anuk Arudpragasam
Anuk Arudpragasam was born in Colombo, Sri Lanka. He studied philosophy in the United States, receiving a doctorate at Columbia University. His first novel, The Story of a Brief Marriage, was translated into seven languages, won the DSC Prize for South Asian Literature, and was shortlisted for the Dylan Thomas Prize. He currently divides his time between India and Sri Lanka. More by Anuk Arudpragasam
Decorative Carat