Embrace Fearlessly the Burning World


About the Book

NEW YORK TIMES EDITORS’ CHOICE • A “lyrical” (Chicago Tribune) final work of nonfiction from the National Book Award–winning author of Arctic Dreams and Horizon, a literary icon whose writing, fieldwork, and mentorship inspired generations of writers and activists.
“Mesmerizing . . . a master observer . . . whose insight and moral clarity have earned comparisons to Henry David Thoreau.”—The Wall Street Journal


An ardent steward of the land, fearless traveler, and unrivaled observer of nature and culture, Barry Lopez died after a long illness on Christmas Day 2020. The previous summer, a wildfire had consumed much of what was dear to him in his home place and the community around it—a tragic reminder of the climate change of which he’d long warned.

At once a cri de coeur and a memoir of both pain and wonder, this remarkable collection of essays adds indelibly to Lopez’s legacy, and includes previously unpublished works, some written in the months before his death. They unspool memories both personal and political, among them tender, sometimes painful stories of his childhood in New York City and California, reports from expeditions to study animals and sea life, recollections of travels to Antarctica and other extraordinary places on earth, and meditations on finding oneself amid vast, dramatic landscapes. He reflects on those who taught him, including Indigenous elders and scientific mentors who sharpened his eye for the natural world. We witness poignant returns from his travels to the sanctuary of his Oregon backyard, adjacent to the McKenzie River. And in prose of searing candor, he reckons with the cycle of life, including his own, and—as he has done throughout his career—with the dangers the earth and its people are facing.

With an introduction by Rebecca Solnit that speaks to Lopez’s keen attention to the world, including its spiritual dimensions, Embrace Fearlessly the Burning World opens our minds and souls to the importance of being wholly present for the beauty and complexity of life.

“This posthumously published collection of essays by nature writer Barry Lopez reveals an exceptional life and mind . . . While certainly a testament to his legacy and an ephemeral reprieve from his death in 2020, this book is more than a memorial: it offers a clear-eyed praxis of hope in what Lopez calls this ‘Era of Emergencies.’”—Scientific American
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Praise for Embrace Fearlessly the Burning World

“Lopez did not take the task of writing lightly. . . . Sentences shimmer and punch. . . . In one of the 27 essays that are collected here, he tries to pin down the point of it all: ‘The central project of my adult life as a writer,’ he says, ‘is to know and love what we have been given, and to urge others to do the same.’ . . . He loved this world, and did his best, and pointed us the way.”—The New York Times

“Mesmerizing . . . The book reviewer runs out of superlatives, quailing before the work of the nature writer, essayist and fiction writer Barry Lopez (1945–2020), whose insight and moral clarity have earned comparisons to Henry David Thoreau. . . . To read Barry Lopez is to put yourself in the hands of a master observer who is enthralled by the strange beauty of our fragile planet, and who will be the first to tell you how little he actually knows.”—The Wall Street Journal

“[Barry Lopez’s] final collection of essays, Embrace Fearlessly the Burning World, should remind readers just how wide-ranging, artful, and deeply personal his writing could be.”—The Boston Globe

“Lyrical, his climate-change writing alone is for the ages.”—Chicago Tribune

“This posthumously published collection of essays by nature writer Barry Lopez reveals an exceptional life and mind. . . . While certainly a testament to his legacy and an ephemeral reprieve from his death in 2020, this book is more than a memorial: it offers a clear-eyed praxis of hope in what Lopez calls this ‘Era of Emergencies.’”—Scientific American

“Altogether, the pieces are honest and searching, engaging readers in the largest of questions: How do we live in the world? How do we see it? How do we protect it? . . . A sterling valediction. Lopez’s many followers will treasure this book.”Kirkus Reviews (starred review)

“In this precious posthumous collection of recent and previously unpublished essays, [Lopez] reveals many more dimensions of his quests and discoveries. . . . Readers will treasure this hearth of a collection from a crucial and profound writer of spirit, commitment, benevolence, and reverence.”Booklist (starred review)
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Embrace Fearlessly the Burning World

Six Thousand Lessons
When I was a boy I wanted to see the world. Bit by bit it’s happened. In 1948, when I was three, I left my home in Mamaroneck, just north of New York City, and flew with my mother to a different life in the San Fernando Valley, outside Los Angeles. I spent my adolescent summers at the Grand Canyon and swam in the great Pacific. Later, when my mother married again, we moved to the Murray Hill section of Manhattan. Another sort of canyon. I traveled across Europe by bus when I was seventeen. I went to Mexico. I camped in the desert in Namibia and on the polar plateau, twenty kilometers from the South Pole. I flew to Bangkok and Belem, to Nairobi and Perth, and traveled out into the country beyond.
Over the years I ate many unfamiliar meals, overheard arguments conducted on city streets in Pashto, Afrikaans, Flemish, Cree. I prayed in houses of worship not my own, walked through refugee camps in Lebanon, and crossed impossible mountain passes on the Silk Road. Witness, not achievement, is what I was after. From the beginning, I wanted to understand how very different each stretch of landscape, each boulevard, each cultural aspiration was. The human epistemologies, the six thousand spoken ways of knowing God, are like the six thousand ways a river can run down from high country to low, like the six thousand ways dawn might break over the Atacama, the Tanami, the Gobi, or the Sonoran.
Having seen so much, you could assume, if you are not paying close attention, that you know where you are, succumbing to the heresy of believing one place actually closely resembles another. But this is not true. Each place is itself only, and nowhere repeated. Miss it and it’s gone.
Of the six thousand valuable lessons that might be offered a persistent traveler, here is a single one. Over the years in speaking with Indigenous people—Yupik and Inupiat in Alaska and Inuit in Canada—I came to understand that they prefer to lack the way we use collective nouns in the West for a species. Their tendency is not to respond to a question about what it is that “caribou” do, but to say instead what an individual caribou once did in a particular set of circumstances—in that place, at that time of year, in that type of weather, with these other animals around. It is important to understand, they say, that on another, apparently similar occasion, that animal might do something different. All caribou, despite their resemblance to each other, are not only differentiated one from the other but in the end are unpredictable.
In Xian once, where Chinese archaeologists had recently uncovered a marching army of terra-cotta soldiers and horses, and where visitors can view them in long pits in situ, I studied several hundred with a pair of binoculars. The face of each one, men and horses alike, was unique. I’ve watched herds of impala bounding away from lions on the savanna of Africa and flocks of white corellas roosting at dusk in copses of gum trees in the Great Sandy Desert in Western Australia, and have had no doubt in those moments that with patience and tutoring I could distinguish one animal from another.
It is terrifying for me to consider, now, how television, a kind of cultural nerve gas, has compromised the world’s six thousand epistemologies, collapsing them into “what we all know” and “what we all believe.” To consider how some yearn for all of us to speak Mandarin or English, “to make life easier.” To consider how a stunning photograph of a phantom orchid can be made to stand today for all phantom orchids. To consider how traveling to Vienna can mean for some that you’ve more or less been to Prague. How, if you’re pressed for time, one thing can justifiably take the place of another.
During these years of travel, my understanding of what diversity can mean has evolved. I began with an intuition, that the world was, from place to place and culture to culture, far more different than I had been led to believe. Later, I began to understand that to ignore these differences is not simply insensitive but unjust and perilous. To ignore the differences does not make things better. It creates isolation, pain, fury, despair. Finally, I came to see something profound. Long-term, healthy patterns of social organization, among all social life-forms, it seemed to me, hinged on work that maintained the integrity of the community while at the same time granting autonomy to its individuals. What made a society beautiful was some combination of autonomy and deference that, together, minimized strife.
In my understanding diversity is not, as I had once thought, a characteristic of life. It is, instead, a condition necessary for life. To eliminate diversity would be like eliminating carbon and expecting life to go on. This, I believe, is why even a passing acquaintance with endangered languages or endangered species or endangered cultures brings with it so much anxiety, so much sadness. We know in our tissues that the fewer the differences we encounter, wherever it is we go, the more widespread the kingdom of death has become.

An Intimate Geography
It was night, but not the color of sky you might expect. The sun was up in the north, a few fingers above the horizon, and the air itself was bluer than it had been that afternoon, when the light was more golden. A friend and I, on a June “evening,” were sitting atop a knoll in the Brooks Range in northern Alaska. We had our spotting scopes trained on a herd of several hundred barren-ground caribou, browsing three miles away in the treeless, U-shaped valley of the Anaktuvuk River. The herd drifted in silence across an immensity of space.
Sitting there, some hundreds of feet above the valley floor, we joked that the air was so transparent you could see all the way to the Anaktuvuk’s confluence with the Colville River, ninety miles down the valley. The dustless atmosphere scattered so little light, we facetiously agreed, it was only the curvature of the Earth that kept us from being able to see clear to Franz Josef Land, in the Russian Arctic. I braced the fingers of my left hand against a cobble embedded in the tundra by my hip, to shift my weight and steady my gaze. The orange lichen on the rock blazed in my eye like a cutting torch before I turned back to the spotting scope and the distant caribou.
Years later, at the opposite end of the planet, I was aboard a German ecotourist ship crossing the Drake Passage from the Falkland Islands to South Georgia. The vessel was yawing through forty-foot seas, pitching and rolling in a Beaufort force 11 storm, one category shy of a hurricane. Dressed in storm gear and gripping a leeward rail outside on one of the upper decks, I stood shoulder to shoulder with a colleague. The surface of the gray sea before fus had no point of stillness, no transparency. Veils of storm-ripped water ballooned in the air, and the voices of a flock of albatrosses, teetering in incomprehensible flight, cut the roar of the wind rising and collapsing in the ship’s superstructure. In the shadowless morning light, beyond the grip of my gloves on the rail, beyond the snap of our parka hoods crumpling in the wind, the surface of the ocean was another earthly immensity, this one more contained, and a little louder, than the one in the Brooks Range.
In April 1988 I was traveling across China in the company of several other writers. In Chongqing, in Sichuan Province, we made arrangements to descend the stretch of the Yangtze River that cuts through the Wushan Mountains, the site of the famed Three Gorges, upriver from Yichang. At that time, years before the completion of the Three Gorges Dam, the Yangtze still moved swiftly through the bottom of this steep-walled canyon, falling, as it did, 519 feet between Chongqing and Yichang.
Despite the occasional set of rapids, the water in the gorges teemed with commerce—shirtless men paddled slender, pirogue-like boats down, up, and across the Yangtze; larger passenger vessels, such as ours, plowed through; and we passed heavily loaded lighters and packets laboring against the current. The air was ripe with the smells of spoiling fish, fresh vegetables, and human waste. The scene, a kind of Third World cliché, didn’t fully engage me—until I caught sight, unexpectedly, of great runs of vertical space on the right bank, variegated fields rising straight up, perhaps nine hundred feet, into a blue sky. The terraced slopes were as steep as playground slides, a skein of garden plots and traversing rice paddies, dotted with sheds and houses. These images might be visible between sections of bare cliff for no more than thirty seconds as the ship passed them, but the convergence of cultural and physical geography was spectacular. The boldness of the farming ventures made my heart race. And in that mute, imposing gorge I discovered a different type of seductive earthly immensity. I wanted time to ferret out all the revealing detail in those densely patterned clefts. But our riverboat bore on. I inhaled sharply the damp perfume of human life around me, and gazed instead at the bolus of light shattering endlessly on the turbid water of the bow wave.

About the Author

Barry Lopez
Barry Lopez is the author of three collections of essays, including Horizon; several story collections; Arctic Dreams, for which he received the National Book Award; Of Wolves and Men, a National Book Award finalist; and Crow and Weasel, a novella-length fable. He contributed regularly to both American and foreign journals and traveled to more than seventy countries to conduct research. He was the recipient of fellowships from the Guggenheim, Lannan, and National Science Foundations and was honored by a number of institutions for his literary, humanitarian, and environmental work. He died in 2020. 

www.barrylopez.com More by Barry Lopez
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About the Author

Rebecca Solnit
Rebecca Solnit is the author of more than twenty books, including the memoir Recollections of My Nonexistence and the nonfiction A Field Guide to Getting LostThe Faraway NearbyA Paradise Built in HellRiver of Shadows, and Wanderlust. She is also the author of Men Explain Things to Me and many essays on feminism, activism and social change, hope, and the climate crisis. A product of the California public education system from kindergarten to graduate school, she is a regular contributor to The Guardian and other publications. More by Rebecca Solnit
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