Brown Girls

A Novel

About the Book

NEW YORK TIMES EDITORS’ CHOICE • A “boisterous and infectious debut novel” (The Guardian) about a group of friends and their immigrant families from Queens, New York—a tenderly observed, fiercely poetic love letter to a modern generation of brown girls.
 
“An acute study of those tender moments of becoming, this is an ode to girlhood, inheritance, and the good trouble the body yields.”—Raven Leilani, author of Luster


FINALIST FOR THE NEW AMERICAN VOICES AWARD • FINALIST FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE

ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Kirkus Reviews

If you really want to know, we are the color of 7-Eleven root beer. The color of sand at Rockaway Beach when it blisters the bottoms of our feet. Color of soil . . .

Welcome to Queens, New York, where streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple over sidewalks, and the funky scent of the Atlantic Ocean wafts in from Rockaway Beach. Within one of New York City’s most vibrant and eclectic boroughs, young women of color like Nadira, Gabby, Naz, Trish, Angelique, and countless others, attempt to reconcile their immigrant backgrounds with the American culture in which they come of age. Here, they become friends for life—or so they vow.

Exuberant and wild, together they roam The City That Never Sleeps, sing Mariah Carey at the tops of their lungs, yearn for crushes who pay them no mind—and break the hearts of those who do—all while trying to heed their mothers’ commands to be obedient daughters. But as they age, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, beckoned by existences foreign and seemingly at odds with their humble roots.

A blazingly original debut novel told by a chorus of unforgettable voices, Brown Girls illustrates a collective portrait of childhood, adulthood, and beyond, and is a striking exploration of female friendship, a powerful depiction of women of color attempting to forge their place in the world today. For even as the conflicting desires of ambition and loyalty, freedom and commitment, adventure and stability risk dividing them, it is to one another—and to Queens—that the girls ultimately return.
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Praise for Brown Girls

“[Daphne Palasi] Andreades’s descriptive writing is glorious, with a confidence one might expect from a veteran novelist . . . . While there is much that many brown girls will relate to—including experiences that feel stolen straight from my memories—Andreades succeeds in making the stories feel specific beyond a singular experience. . . .  Readers become part of scenes where the fourth wall is not only broken but shattered. . . . With their breadth, depth and enormous richness, I found myself wanting to savor these raw stories on a large, overflowing plate.”The New York Times Book Review

“[A] boisterous and infectious debut novel . . . Brown Girls reads like a rap song, like an anthem. . . . [It] holds worlds within its pages.”The Guardian

Brown Girls achieves immediate liftoff. . . . Along the way a lot of subjects are turned over for examination. Like a DJ, the author picks up the needle and puts it back down in unexpected places. . . . Fearless.”The New York Times

“Of the five New York boroughs, Queens still feels like the scrappy kid sibling, underestimated, perhaps, and underexplored. Daphne Palasi Andreades’s exuberant debut novel offers a corrective to that assumption of the neighborhood and its denizens with its kaleidoscopic portrait of the young women of color who call it home. Written in a choral ‘we’ voice, Brown Girls feels like finding your favorite song on the radio and singing along with the windows down.”Chicago Review of Books

“A poetic story for anyone who has longed to leave home only to find that home resides within you.”—Sandra Cisneros, author of The House on Mango Street

“An irresistible chorus of remembrances, a lyrical ode to brown girlhood. It is also an ode to Queens, and the multiethnic first-person plural sounds like the borough itself, rich and varied and glorious. I absolutely loved this book.”—Emma Straub, bestselling author of All Adults Here

“A masterful triumph. Every page captures moments of wonder and hard truths about brown girls coming of age, grappling with conflicting influences, loss, gender, sexuality, and being second-generation immigrants in America.”—Nicole Dennis-Benn, author of Patsy

“This book’s a gift—a smooth subway seat on a crowded Queens local bound to everywhere and offered to those people, places, and dreams that forever keep and feed us.”—Paul Beatty, Man Booker Prize–winning author of The Sellout

Brown Girls is alive with the complicated yet vast love of immigrant mothers, American daughters, and childhood friends. I treasure this book’s artistic daring, its pathos, and its marvelous playfulness.”—Megha Majumdar, bestselling author of A Burning

“Inventive, sharply funny, and exceptionally beautiful. A portrait of growing up as a woman of color in America, the voices of these girls ring out on every page, lyrical and fierce and unforgettable.”—Elissa Schappell, author of Blueprints for Building Better Girls

“Seething with raw, exuberant life, Brown Girls is an epic told in the register of the yearning, vivid experiences of its characters. It’s hard to think of another book with more spirit or a keener eye.”—Alexandra Kleeman, author of Something New Under the Sun
 
“Andreades’ debut novel is a unique coming-of-age story screamed, sung, howled, hummed by ‘we,’ a first-person plural narrator representing a group of friends from Queens, New York, on the cusp of womanhood. Writing in vignettes, with language that is as punchy as it is lyrical and impassioned, Andreades explores intersectional issues of womanhood, race, and class. . . . Singing as one, Andreades’ brown girls create and capture the voice of a generation.”Kirkus Reviews (starred review)
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Excerpt

Brown Girls

Brown Girls

We live in the dregs of Queens, New York, where airplanes fly so low that we are certain they will crush us. On our block, a lonely tree grows. Its branches tangle in power lines. Its roots upend sidewalks where we ride our bikes before they are stolen. Roots that render the concrete slabs uneven, like a row of crooked teeth. In front yards, not to be confused with actual lawns, grandmothers string laundry lines, hang bedsheets, our brothers’ shorts, and our sneakers scrubbed to look brand-­new. Take those down! our mothers hiss. This isn’t back home. In front yards grow tomatoes that have fought their way through the hard earth.

Our grandmothers refuse canes. Our brothers dress in wifebeaters. We all sit on stoops made of brick. The Italian boys with their shaved heads zoom by on bikes, staring, their laughter harsh as their shiny gold chains. Our grandparents weed their gardens and our brothers smoke their cigarettes and, in time, stronger substances we cannot recognize. Whose scent makes our heads pulse. Our brothers, who ride on bikes, lifting their front wheels high into the air.

“Brown”


If you really want to know, we are the color of 7-­Eleven root beer. The color of sand at Rockaway Beach when it blisters the bottoms of our feet. Color of soil. Color of the charcoal pencils our sisters use to rim their eyes. Color of grilled hamburger patties. Color of our mother’s darkest thread, which she loops through the needle. Color of peanut butter. Of the odd gene that makes us fair and white as snow, like whatsername, is it Snow White? But don’t get it twisted—­we’re still brown. Dark as 7 p.m. dusk, when our mothers switch on lights in empty rooms. Exclaim, Oh! There you are.

The Dregs of Queens

The sights in our hometown: Central road nicknamed the “Boulevard of Death” by the New York Post, which snakes through our neighborhood like a long gray tongue. Mimi’s Salon with an ad that reads, Mani n Pedi, $15.99! W/ neck massage FREE. Down the boulevard, across the street from the auto repair shop: a branch of the New York Public Library. Book pages smeared with fingerprints, a booger, the remnant of a sneeze. In the corner, a homeless man fortressed by plastic bags snoozes peacefully. We know he’s different from the guy who raps his knuckles on car windows and asks, Little girl, got any change? before our parents zoom away. Welcome to the dregs of Queens: White Castle sign that comes into view when our subway pulls into the station, tracks rumbling above a Honda minivan, a halal food cart called RAFI SMILES with the scent of bubbling oil and smoke that wafts past a forgotten discount electronics store now selling mattresses. Train slogs above a man chomping a Boston cream donut, whose custard filling explodes onto the tips of his fingers. He licks them, waits for the Q11 to arrive. Ray’s Not Your Mama’s Pizzeria with spongy Sicilian slices whose Cheetos-­colored oil trickles down our chins when we take a bite. Soap ’n Suds Laundromat filled with steel machines pounding round and round. A Chinese-­Mexican takeout joint beside O’Malley’s, whose carpet of plastic green grass out front is littered with cigarette butts. Our own houses: neat brick rectangles. Hidden, peripheral. Sometimes the sun shines here.

Duties

But we brown girls are ten and already know how to be good. How to cross the Boulevard of Death, hand in hand with younger siblings to reach public school courtyards, how to trick and bribe and coax them to finish their homework (In 1492, they recite, Columbus sailed the ocean blue). How to mouth SHHH! when our fathers have fallen asleep on couches after long shifts, and how to vacuum homes, carpets dotted with hair and cookie crumbs. We know how to muscle these bagpipes up and down dim staircases, even though they are heavier than us. We know never to talk back. We know how to cram into our parents’ beds when loved ones from distant lands and warm climates immigrate to the States with their suitcases and dreams and empty wallets. Stay for months, years.

One aunt gives us manicures every Sunday. Another squirts poop-­colored henna onto our palms, sketches lotus flowers. One cousin lets us listen to her collection of country CDs—­Dolly, Shania, the Dixie Chicks—­her most prized possessions. Wide open spaces! we sing along. Another cousin lends us her romance novel, the lone paper­back that sits atop her dresser, after we beg her. We’d glimpsed its cover of a woman clinging to a man’s bare, muscled chest. The image excites us.We re-­create it by standing in front of fans to mimic that hair-­blowing-­in-­the-­wind effect. We top it off with our best lovesick expressions. Until we grow bored of pretending to be these women. We sprinkle salt onto slugs instead.

Our parents take us aside one night. If anyone asks, we’re the only ones who live here, okay?

Though we don’t fully understand, we know how to keep our families’ secrets.

When our cousins and aunts and uncles leave for new jobs in new cities—­they are nannies and construction workers, cooks and caretakers—­we feel a sinking sorrow. It doesn’t matter if we don’t share a drop of blood with these people; we have been taught to call them family. When they depart, we do not cry. We do not cling on. We are good girls. Instead, we prepare for going-­away parties, which last all through the night and end with us falling asleep on couches, waking the next day in beds we share with our younger siblings. We wake to the scent of garlic and bonfire smoke still lingering in our hair, traces of cake and drool crusted on our cheeks. No matter.

Before these parties begin, however, we must get ready. We have exactly seven minutes in bathrooms. We remember to wash our hair with cold water—­Hurry up, I need to go!—­so that it grows thick and shiny.

About the Author

Daphne Palasi Andreades
Daphne Palasi Andreades was born and raised in Queens, New York. She holds an MFA from Columbia University, where she was awarded a Henfield Prize and a Creative Writing Teaching Fellowship. She is the recipient of a 2021 O. Henry Prize, as well as scholarships to the Bread Loaf Writers' Conference, the Martha’s Vineyard Institute of Creative Writing, where she won the Voices of Color Prize, and other honors. Brown Girls is her first novel. More by Daphne Palasi Andreades
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