Ten Incarnations of Rebellion

A Novel

About the Book

From the New York Times bestselling author of Kaikeyi comes an epic and daring novel that imagines an alternate version of 1960s India that was never liberated from the British, and a young woman’s struggle to change the tides of history.

“This is the kind of fiction we need more of.”—R. F. Kuang, #1 New York Times bestselling author of Babel

Kalki Divekar grows up a daughter of Kingston—a city the British built on the ashes of Bombay. The older generation, including her father, have been lost to the brutal hunt for rebels. Young men are drafted to fight wars they will never return from. And the people of her city are more interested in fighting one another than facing their true oppressors.

When tragedy strikes close to home, Kalki begins to play a dangerous game with small acts of resistance, tempered by cautious, level-headed Yashu and fortified by Fauzia, whose dreams of the future awaken Kalki’s heart. Together, they found Kingston’s new independence movement, obtaining jobs working for the British while secretly planning to destroy the empire from the inside out. But one wrong move means certain death, and when facing threats from all quarters, Kalki must decide whether it’s more important to be a hero or to survive.

Set over the course of a decade and told as ten moments from Kalki’s life that mirror the Dashavatara, the ten avatars of Vishnu, Ten Incarnations of Rebellion is a sweeping, deeply felt speculative novel of empowerment, friendship, self-determination, and the true meaning of freedom.
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Praise for Ten Incarnations of Rebellion

“Richly steeped in historical detail and brimming with complex questions of morality, justice, and power, Ten Incarnations of Rebellion is a tribute to the freedom fighters and a celebration of resistance. Vaishnavi Patel has written a devastating and unforgettable tour de force.”—Ava Reid, #1 New York Times bestselling author of A Study in Drowning

“A welcome and refreshing challenge to our preconceived notion of how rebellions are mounted—and won.”—Alka Joshi, author of The Henna Artist, The Perfumist of Paris, and Six Days in Bombay

“Patel gives readers a powerful, compelling alt history that not only explores Great Britain's colonialist violence and draws on Indian myth and religious tales but also presents challenging questions about what sacrifices it takes to build a truly effective revolutionary movement . . . [The] novel is propelled by its characters, the female leaders of a rebellion that will take out an entire oppressive regime, and their debates, support for one another, and determination to see an independent India.”Booklist

“A triumphant feat of imagination, this novel is both historical and eerily timely, urging us that now more than ever, seemingly small collections of mounting rebellion are what will see us—and by extension our power, our humanity, our voices—through.”—Parini Shroff, author of The Bandit Queens

“Expertly weaving what ifs into real history, Ten Incarnations of Rebellion is a testament to the quiet acts of defiance that build into a revolution.”—O.O. Sangoyomi, author of Masquerade

“An immaculate and heart-wrenching tale . . . Patel’s books are the kind I want to read for the rest of my life.”—Emily Varga, internationally bestselling author of For She Is Wrath

“A fascinating, innovative, and suspenseful alternate history of India’s freedom struggle . . . Readers will fall in love—as I did—with the heroine, Kalki, who is at once intelligent, courageous, and vulnerable.” —Chitra Banerjree Divakaruni, author of The Palace of Illusions and Independence

“A meticulous interrogation of the mythmaking, contradictions, and sacrifices of revolution . . . Patel never writes the easy story; she writes the infuriating, frustrating, necessary story.”—R. F. Kuang, #1 New York Times bestselling author of Babel
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Excerpt

Ten Incarnations of Rebellion

Chapter 1

Matsya, Fish

I learned how to hope at nineteen.

It started with a song. I did not, could not, know what was to come—the blood that would stain the streets, the fire that would fill the skies, the scars that would carve our souls—but even if I had, still I would have chosen it. Still I would have set myself on the path of rebellion.

On a windy March day in 1962, I pulled on my best and newest frock, a long navy-blue gown that Aai and I had commissioned from the local tailor. The high-waisted bust loosened into draped pleats, embroidered with silver sequins, and the sleeves went down to my elbows, pretty and modest. British styles often took some years to come to India, so the trend here had probably already gone out of fashion on their island. But I could not wear anything else, for saris or lehengas were not considered formal enough for British events.

The pointed heels were my least favorite part of the outfit, as they looked painful and felt worse. But Aai had insisted on buying them for my “promising career,” and so I reluctantly slipped on the heels and staggered out of the flat. No matter what the British had done to my Baba, Aai was proud that I had been selected as one of the token students attending the chancellor’s annual education night, a glittery affair meant to help philanthropists and educators feel better about the British project in India.

I had not told her my plan for the night. She would not have approved.

The headmaster had given me fare for a rickshaw, so I flagged one down and directed the driver to go to City Hall. He looked surprised but did not question it. After all, it was over an hour’s ride from our neighborhood in Kingston, the Indian section covering the north of Salsette Island, to Old Bombay, the British peninsula of Salsette that had once been the southern tip of the Seven Islands. He would earn a good fare.

As we traveled toward southern Kingston, the homes became progressively nicer, the streets cleaner, the shops pricier. Here, the richest Indians could own their land—or at least rent it in ninety-nine-year terms from the British, who were the true owners of the isle. I passed by my school, which was twenty minutes by rickshaw but over an hour by the chain of buses and walking I usually undertook. Without fanfare, we crossed the invisible dividing line into Bombay. It was the first time in my memory I had left Kingston. The fare to Bombay was out of the question, and there was no reason to go anyway. I was almost disappointed, at first, for the homes here looked worse than the homes in Kingston. They were small, crowded, dilapidated.

But the deeper we traveled into Bombay, the nicer things got, and I realized—just as the richest Indians lived next to the British, the poorest British lived next to the Indians. As the buildings became more ornate, the clothes changed too; suddenly it appeared that every man was wearing a suit. People were out and about, not preparing for a curfew that discouraged leaving home after work for fear of getting caught outside after hours. I leaned my head out of the window to observe, glad that it was still March, before the muggy heat enveloped the city and melted even the tar on the roads. So this was how the British lived. The raucous colors of Kingston were nowhere to be seen, replaced by an unrelenting gray dullness.

As we approached downtown, the rickshawala asked, “Madam, can you spare ten more minutes?”

“Why? Is there a disturbance up ahead?”

“Nothing like that. I want to take an alternate route,” he said. “No extra charge.”

I had left early, so I figured it didn’t matter much. “Yes, whatever way you think is best.”

“This is best,” he assured me. We drove for a little while longer, rounded the curve, and—

“Queen’s Necklace,” the rickshawala declared proudly.

I gasped before I could stop myself. We stood at one end of Back Bay, the southernmost bay of Salsette. In the setting sun, an arc of streetlights connected us to the other side of the bay in an unbroken chain of golden pearls, more striking than I had ever imagined. The Old Bombay skyline stretched ahead of us, and with it, the promise of this city.

He drove us down Marine Drive. For a moment we too were a part of the Queen’s Necklace, the blurred, ever-moving lights that formed the string connecting each pearl. My lips stretched into a smile, but my shoulders tensed. The contradiction of it all—the British lights creating true splendor—made my head hurt.

Finally, we reached my destination. City Hall was beautiful. Far more beautiful than I had expected, and far more beautiful than it deserved to be. A century ago, just after the Sepoy Mutiny, Indian laborers built this palace out of marble, with columns of white and gray adorning the outside. The steps leading up to the doors were nearly pristine, despite the fact that the city never was. It appeared as though every light in the building was on. I supposed electricity rations wouldn’t apply to those doing the rationing.

For the first time, I doubted my plan.

I had wanted to refuse the headmaster’s invitation. What kind of daughter was I, to kiss the boots of those who drove my Baba from my home? It had been over a decade since I last saw him, and my memories of him were fraying at the edges. But when I told my mother, she said, “Of course you will go!” Then she hugged me tight and whispered, “Do you think they don’t still watch us? Do you think they do not monitor us for odd behavior? I did not raise an idiot, Kalki. We must not do anything to raise their suspicions. You cannot refuse their invitation.” She made a good point, and I hated it.

That night I tossed and turned, not knowing what I should do. I tried to remember Baba, his favorite song. I could hear his voice in the back of my mind, singing, but the words were lost. Vande mataram . . . ​and then nothing. What would he want me to do? That was when it hit me. The songs my Baba sang were long banned, the public’s copies collected and burned. Nobody alive would dare sing them, if they remembered them at all. But City Hall would have them, I was sure, because the British loved their paperwork.

Now, looking up at the soaring white columns and marble doors, I wondered how I would possibly search their files. How would I even know where to look? If they had the power to build this place, then they certainly could prevent me from ever reaching my target. But it was too late to turn back.

I squared my shoulders and climbed the steps slowly, hitching my dress up so I wouldn’t fall. A guard at the door checked off my name and gestured me into a lobby even more breathtaking than the outside. Above me, a tapered dome curved gracefully, adorned with glittering stones and brightly colored paint. Busts of men lined the edges of the room, and a banner reading “1962 Kingston Education Summit” hung above a small stage. The people in the great hall were equally gorgeous. For a moment, I felt awe toward them; the women’s dresses utterly eclipsed mine, and I had never seen men’s suits as crisp or dark. I felt vastly underdressed, the embroidery on my dress faded and plain in comparison.

Of course, most of the people in the room were British. I spotted a few Indians scattered among them, but they were obviously there for the same reason I was, to be the chancellor of Kingston’s tokens. Servers, all of them Indian, ducked in and out of the crowd. I did not spot Yashu, my good friend who was supposed to be in attendance with me.

As I took all this in, a British woman approached me. “What is your name?” she asked.

“Kalki Divekar, madam,” I said, wondering why she was talking to me.

“And which school are you from?”

“I’m from the Clarke Young Women’s Academy, madam.”

“That’s a great school for your people,” she told me, as if I didn’t already know. “The Clarke family is so esteemed. You must be proud to go to a school bearing their name.”

“Thank you,” I forced out.

“We are so glad you could be here tonight. Please, get some food and mingle. Many of the people here will want to speak with you. Your perspective is so important for the work we do. The chancellor will start his remarks in an hour or so.”

I tried to hide my total shock. But she seemed sincere, as if she really did believe my perspective was important. I suppressed a wild urge to laugh.

The woman put her hands on my shoulders and gave me a little push forward, as if I were a bullock cart that just needed to get started. I stumbled into the crowd. True to what she had said, people began turning to talk to me.

“So, what do your parents do?” a mustachioed man asked me.

“My mother is an assistant to a doctor, sir,” I replied, omitting the fact that her “assisting” work consisted of sorting files, sanitizing supplies, and organizing rooms more than providing medical care. “My father—isn’t with us anymore.”

“Did he die?” the man asked thoughtlessly. In a way, in this moment, he owned me. Disobedience and disrespect were punishable offenses. Numbness crept into my heart.

“No, sir, he left us,” I said quietly.

About the Author

Vaishnavi Patel
Vaishnavi Patel is the New York Times bestselling author of Kaikeyi and Goddess of the River. She is a lawyer specializing in civil rights litigation, including issues of gender and racial justice. Ten Incarnations of Rebellion is her third novel. More by Vaishnavi Patel
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