We Don't Talk About Carol

A Novel

About the Book

A dedicated journalist unearths a generations-old family secret—and a connection to a string of missing girls that hits way too close to home—in this gripping debut novel.

In the wake of her grandmother's passing, Sydney Singleton finds a hidden photograph of a little girl who looks more like Sydney than her own sister or mother. She soon discovers the mystery girl in the photograph is her aunt, Carol, who was one of six North Carolina Black girls to go missing in the 1960s. For the last several decades, not a soul has talked about Carol or what really happened to her. But now, with her grandmother gone and Sydney looking to start a family of her own, she is determined to unravel the truth behind her long-lost aunt’s disappearance, and the sinister silence that surrounds her.

Unfortunately, this is familiar territory for Sydney: Years earlier, while she worked the crime beat as a journalist, her obsession with the case of another missing girl led to a psychotic break. And now, in the suffocating grip of fertility treatments and a marriage that's beginning to crumble, Sydney’s relentless pursuit for answers might just lead her down the same path of self-destruction. As she delves deeper into Carol's fate, her own troubled past reemerges, clawing its way to the surface with a vengeance. The web of secrets and lies entangling her family leaves Sydney questioning everything—her fixation on the missing girls, her future as a mom, and her trust in those she knows and loves.

Delving into family, community, secrets, and motherhood, We Don’t Talk About Carol is a gripping and deeply emotional story about overcoming the rot at the roots of our family trees—and what we’ll do for those we love.
Read more
Close

Praise for We Don't Talk About Carol

“So much more than your typical missing person story, We Don’t Talk About Carol is a twisting mystery spanning six decades, as well as a stark reminder of the disproportionate treatment given to missing Black girls by the media. Kristen L. Berry has managed to weave such an elaborate web of thematic threads that when you take a step back to admire the full picture, it’s a pretty wondrous thing to behold. A fantastic debut.”—Stacy Willingham, New York Times bestselling author of Forget Me Not

“A riveting page-turner by a powerful new voice. I couldn’t put it down.”—Joshilyn Jackson, New York Times bestselling author of With My Little Eye

“A moving portrait, a compelling family drama, and a riveting cold case . . . This novel swept me away.”—Katie Gutierrez, bestselling author of More Than You'll Ever Know

We Don’t Talk About Carol is beautiful, evocative, and brilliant. Kristen L. Berry weaves a suspenseful tale while insightfully handling themes of generational trauma and grief with vulnerability and grace. I loved the parallels between Sydney trying to make sense of her family’s past while also building a foundation for her future. Packed with relatable characters and gasp-inducing reveals, this debut is perfect for fans of true-crime podcasts and captivating mysteries.”—Miranda Smith, author of Smile for the Cameras

“Berry debuts with a striking and soulful crime novel. . . . She’s as interested in character as she is in plot, to the novel’s immense credit. . . . Readers will be wowed.”Publishers Weekly, starred review
Read more
Close
Close
Excerpt

We Don't Talk About Carol

One

Present Day

“You sure you’re going to be able to pack up the house without killing each other?” my husband, Malik, asked, his warm, rich voice amplified by the rental car’s surround sound system.

I snorted as I drove out of the hotel’s garage and into sunny, leafy downtown Raleigh. “I can’t make any promises.”

“There’s really no one there who can help?”

“You saw how it was at the funeral. Grammy didn’t have any family left, just church friends as old as she was.”

“She had family,” Malik said. “She had you guys.”

I shook my head and felt my springy shoulder-­length curls exaggerate the movement. “Our relationship consisted of exchanging birthday cards and calls at Christmas. Not much of a family.”

It had all happened so fast. Grammy had always been so spry and independent, it was easy to forget that she was ninety years old. And then last week we got a call that she’d had a stroke, and was in the hospital, unconscious. The next day, she was gone.

She’d told her dearest friends where she kept the folder with all the documents we’d need for this moment, including her will, life insurance policy, information on her prepaid cemetery plot, even a handwritten outline of what her funeral service should entail. All she asked was that my mother—­her daughter-­in-­law, and the closest thing she had to a child now that my father was gone—­oversee the process of clearing out and selling her home of over seventy years.

Recognizing what a gargantuan task this would be, and guilt-­ridden from spending so little time with Grammy in the years leading up to her death, my sister, Sasha, and I immediately offered our help. And while I never would have asked him to, Malik, ever the doting and dutiful husband, rearranged his carefully constructed work schedule to join us on a red-­eye from L.A. to Raleigh five days ago.

“I shouldn’t have left.” Malik sighed, the reverberation of the sound through the speakers sending goosebumps down my arms. “I can push my meeting and fly back out there.”

Something swelled inside my chest. Malik had spent weeks preparing for the quarterly board meeting of Wealthmate, the financial services start-­up he founded. But I knew if I asked him to, he’d reschedule the entire thing. I was staying another five days to help my mother and Sasha with Grammy’s house; they’d book their return flights to L.A. when the house was officially on the market.

“Absolutely not,” I said. “I know how important this meeting is. We’ll be fine here.”

“Will you ask Grace or Sasha to help you with your shots?”

“Nah, I’ve got it,” I replied, though the tender flesh below my navel pulsed angrily at the thought.

“I know your mom can be a bit of a drill sergeant, but don’t be afraid to take breaks, or to go for a walk around the block if they start getting on your nerves. You know what Dr. Tanaka said about avoiding stress.”

My fingers tightened around the steering wheel. Avoid stress. What was I supposed to do, lock myself in a spa until one of these IVF cycles finally worked? “Malik,” I said evenly, “I’m well aware. I was the one on the exam table, remember?”

“I know,” Malik said in a small, pained way that instantly filled me with guilt for snapping at him. “You’ve got enough going on without having to listen to me lecture you. I’ll let you go. Just promise to call if you need anything. I’ll book a flight, hire professional packers, send a rescue team out to extricate you, whatever you need.”

“I love that you actually mean that, even though you know I’d never take you up on it,” I said, smiling.

“If I offer to take care of you enough, one of these days you might actually let me,” he replied.

We hung up and the true crime podcast I was listening to resumed as I continued the drive to Grammy’s. She’d lived in South Park, a neighborhood surrounding Shaw, the oldest of the many historically Black colleges and universities in the area. I marveled at how different the landscape looked from L.A. Giant swaths of verdant land appeared untouched, and the ancient trees that towered over homes were so lush they appeared capable of swallowing the structures whole. Unlike the belligerently cheerful L.A. sky, the atmosphere above Raleigh seemed moodier, richly layered, thick with history.

As I pulled into Grammy’s driveway, I realized how much her house reminded me of photos I saw of her in her final years: aging yet elegantly kept. Grammy’s uncle had built the home back in the 1940s, when it was rare for Black people to own property in the area. The single-­story structure was flanked by two-­story new-­con­struction houses of a particular style sprinkled throughout the neighborhood. Color-­blocked siding and dark fixtures gave them a modern look, but something about the columns and porches whispered hauntingly of plantation homes.

A loud knock on the driver’s side window snatched me from my reverie.

“Oh my God, Sasha!” I paused the podcast and lowered the window, frowning at my sister as the still-­soupy September air punctured my bubble of artificial cool. “You scared me half to death.”

Sasha rested her elbows in the open window, peering at my phone in the cup holder.

“Those podcasts make you so jumpy,” she said. “I thought you got out of journalism so you could get away from that shit.”

It had been nearly ten years since I’d left the crime beat at the San Francisco Chronicle. With a decade of distance, and no responsibility to investigate the stories myself anymore, I found the podcasts oddly satisfying, scratching a very specific itch by unraveling each mystery in forty-­five minutes or less.

Rather than try to explain all of this to Sasha, I asked, “Why are you loitering in the yard?”

“Actually . . .” Sasha twisted one of her long dark braids around a finger, an annoyingly childlike gesture for a thirty-­five-­year-­old. “I was hoping you’d let me borrow the car for a sec.” I rolled my eyes. “Please? I’ve gotta get away from Mom for a minute. You don’t know what it’s like. You get to stay in a hotel; I’ve been with her this whole time.”

“How is that different from living with her in L.A.?”

“Ugh, please?” Sasha whined. “I’ll bring coffee when I come back.”

“Fine,” I said, getting out of the car and dropping the keys into her waiting hand. “But make mine an iced vanilla latte.”

“Thanks, Sis!” Sasha cried, wrapping her arms around me. She pulled back, biting her lip. “Think I could borrow a few dollars for the coffee?”

“Oh my God, girl,” I grumbled.

It was dark and cool inside Grammy’s house, thanks to the shade of the oak trees surrounding the property. A bouquet of cooking oil, jasmine perfume, and Luster’s Pink hair lotion lingered in the air. I felt a twinge of regret that I didn’t remember if that was what Grammy had smelled like; it had been at least ten years since my last visit.

“Syd? That you?” My mother’s voice rang out from the dining room. Large cardboard boxes stood in front of the long polished wooden table, their mouths hanging open. Mom looked chic in a crisp striped shirt tucked into black jeans, belted at the waist. Her sleek Angela Bassett–­inspired pixie cut gleamed in the light of the chandelier.

“You look way too nice to be packing up this house,” I said.

She shrugged. “Wanted to look presentable in case any more of Grammy’s church friends stop by.” Her eyes slid down my designer workout gear. “Are you going for a run or something?”

“No,” I replied indignantly. I wanted to tell her I was so bloated from all the drugs pushing my ovaries into overdrive that athleisure was all I could stand to wear. “I could be going to brunch in L.A. in these clothes, Mom,” I said instead.

“Yeah, well, this isn’t L.A.” It was true that I only saw my mother in workout clothes when she was on her way to or from a run, despite her having lived in activewear-­loving L.A. for more than forty years. Maybe this was a holdover from her own proper Southern upbringing. Mom grew up in suburban Atlanta, the only child of a Morehouse-­educated Baptist pastor and a Spelman-educated bookkeeper. They’d long given up on their dreams of having children before learning of my mother’s pending arrival. I had vague memories of visiting them in the home my mother grew up in when I was small; they were stiffly loving and frail, and their house had the formal, frozen quality of a fancy dollhouse. They both died before I reached middle school.

My mother pushed a roll of garbage bags into my hands. “Can you take care of the guest room in the back? We’ve got three piles going here: trash, Goodwill, and keepsake. Don’t be too precious about keepsakes, though. We don’t want to ship too many things back home.”

About the Author

Kristen L. Berry
Kristen L. Berry is a writer and communications executive. Born and raised in Metro Detroit, Berry graduated from the University of Michigan with a bachelor's degree in English language and literature. She has provided PR and communications expertise to leading consumer brands for nearly twenty years, all while writing in her spare time. When she isn’t reading or writing, Berry can be found lifting heavy at the gym, hiking in Malibu, eating her way through Los Angeles with her partner, or shouting at the latest Formula 1 race. We Don’t Talk About Carol is her debut novel. More by Kristen L. Berry
Decorative Carat

By clicking submit, I acknowledge that I have read and agree to Penguin Random House's Privacy Policy and Terms of Use and understand that Penguin Random House collects certain categories of personal information for the purposes listed in that policy, discloses, sells, or shares certain personal information and retains personal information in accordance with the policy. You can opt-out of the sale or sharing of personal information anytime.

Random House Publishing Group