The EC Archives: Two-Fisted Tales Volume 4

The EC Archives: Two-Fisted Tales Volume 4

About the Book

HARROWING, TRUE-TO-LIFE WAR TALES IN THE EC TRADITION.

Before Two-Fisted Tales burst onto the scene in 1950, war comics were largely unsophisticated, focusing only on action and adventure—wartime propaganda, essentially. But under the editorial direction of Harvey Kurtzman—who also penned the majority of the stories therein—Two-Fisted Tales dared to examine all the horror and madness to be found on the battlefield. 

Collecting Two-Fisted Tales issues #36–#41, this affordable paperback edition features—in fully remastered digital color—the work of comic book greats Jack Davis, Colin Dawkins, John Putnam, Jerry DeFuccio, George Evans, Reed Crandall, and John Severin!

Foreword by Colleen Coover!
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EC Archives Series

The EC Archives: The Complete Valor
The EC Archives: The Complete Extra
The EC Archives: Two-Fisted Tales Volume 4
The EC Archives: The Complete Moon Girl
The EC Archives: Two-Fisted Tales Volume 2
The EC Archives: The Haunt of Fear Volume 5
The EC Archives: Tales from the Crypt Volume 5
The EC Archives: The Vault of Horror Volume 5
The EC Archives: Tales from the Crypt Volume 4
The EC Archives: The Haunt of Fear Volume 4
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About the Author

George Evans
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About the Author

Jack Davis
Jack Davis was born on December 2, 1924, in Atlanta, Georgia. After serving in the Navy, Davis enrolled in night classes at the Art Students League and began working on The Saint syndicated newspaper strip. It was in 1951 that he began working for EC Comics on their horror, war, and suspense titles. The juxtaposition of Davis's "cartoony" style with the grim and at times gruesome EC scripts quickly made him one of the line's most popular artists. Shortly thereafter he began his decades-long association with MAD, where his humorous, over-the-top style meshed perfectly with MAD's zany irreverence. Davis has worked in virtually every area of commercial illustration, including movie posters, advertising campaigns, album covers, magazine covers, and illustrations. More by Jack Davis
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About the Author

Reed Crandall
Jack Davis was born on December 2, 1924, in Atlanta, Georgia. After serving in the Navy, Davis enrolled in night classes at the Art Students League and began working on The Saint syndicated newspaper strip. It was in 1951 that he began working for EC Comics on their horror, war, and suspense titles. The juxtaposition of Davis's "cartoony" style with the grim and at times gruesome EC scripts quickly made him one of the line's most popular artists. Shortly thereafter he began his decades-long association with MAD, where his humorous, over-the-top style meshed perfectly with MAD's zany irreverence. Davis has worked in virtually every area of commercial illustration, including movie posters, advertising campaigns, album covers, magazine covers, and illustrations. More by Reed Crandall
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About the Author

John Severin
Jack Davis was born on December 2, 1924, in Atlanta, Georgia. After serving in the Navy, Davis enrolled in night classes at the Art Students League and began working on The Saint syndicated newspaper strip. It was in 1951 that he began working for EC Comics on their horror, war, and suspense titles. The juxtaposition of Davis's "cartoony" style with the grim and at times gruesome EC scripts quickly made him one of the line's most popular artists. Shortly thereafter he began his decades-long association with MAD, where his humorous, over-the-top style meshed perfectly with MAD's zany irreverence. Davis has worked in virtually every area of commercial illustration, including movie posters, advertising campaigns, album covers, magazine covers, and illustrations. More by John Severin
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About the Author

Carlos Badilla
Jack Davis was born on December 2, 1924, in Atlanta, Georgia. After serving in the Navy, Davis enrolled in night classes at the Art Students League and began working on The Saint syndicated newspaper strip. It was in 1951 that he began working for EC Comics on their horror, war, and suspense titles. The juxtaposition of Davis's "cartoony" style with the grim and at times gruesome EC scripts quickly made him one of the line's most popular artists. Shortly thereafter he began his decades-long association with MAD, where his humorous, over-the-top style meshed perfectly with MAD's zany irreverence. Davis has worked in virtually every area of commercial illustration, including movie posters, advertising campaigns, album covers, magazine covers, and illustrations. More by Carlos Badilla
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