Kisses and Lies

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About the Book

After discovering that someone saw what looked like Dan’s emergency EpiPen in A-lister Plum’s designer handbag, Scarlett and her tough American sidekick, Taylor, sneak into a posh London nightclub, where Plum has a private table. Scarlett is stunned to discover a piece of evidence that might implicate another girl in Plum’s exclusive circle, Lucy Raleigh. Which means Scarlett must cast a wider net in order to catch the right suspect.

Back at school, groundskeeper Jase is hoping to take Scarlett’s mind off her troubles with some heart-stopping kisses. Scarlett can’t help but feel guilty for indulging in romantic rendezvous when she should be hunting down Dan’s killer. However, once Scarlett finds out how Lucy is connected to Dan, she knows she must drop everything and travel to the McAndrew estate in Scotland to hunt for more clues. But when she arrives, Scarlett becomes the target of a dangerous hunt herself.
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Kisses and Lies

one
setting up an ambush


"Show me something!" Dan says. He's laughing; his eyes are bright with excitement. I've never seen anything as handsome as him before. I could stare at him all day.
But instead, I kiss him. For a few seconds, it's perfect. His lips are so soft, I could melt into them, and his arms, briefly, briefly, are heavy around my shoulders. My first kiss. I've never been this close to a boy in my life. My head is swimming with all the different sensations, the taste of champagne on his mouth, the lemony smell of his soap, the musk of his skin. . . . I'm shivering from head to toe.

I feel like I'm about to faint, and as my legs begin to wobble, suddenly he's gone.
I stumble.

I fall and I keep falling. I know how to fall, from gymnastics, but this is different, because I'm completely out of control, my limbs flailing. I fall for miles, down a deep, deep well, like Alice in Wonderland. Cold stone around me, cold breeze blowing, an utter sense of loss that a moment ago I was pressed against Dan's warm body, and now I'm all alone. I land with a thud that knocks the breath out of me, on a soft squish of body, and it's such a shock that I scream.

And then I realize what I've landed on, and I scream even louder.

It's Dan. He's lying under me, and he's colder than the stone.

He's dead.

My kiss killed him.

And the police are banging down the door to arrest me.


"Scarlett! Scarlett!"

I wake up screaming, but I don't know what words I'm yelling.

"Scarlett!"

My aunt Gwen's pounding on the door.

"You're screaming again! Wake up!"

Aunt Gwen tries the door. It isn't locked, which is a mistake on my part. She storms into my room. I hear her before I see her, because I'm still really disoriented and my eyes are crusty with sleep. I rub them to clear them out. Even that's hard, as I'm still trippy from my dream.

When I manage to open my eyes, I keep blinking. Aunt Gwen's a scary sight by day. By night, she's like a monster from a children's book. The hair sticking up like a deranged puffball, the warty forehead, the watery eyes . . . Ugh, I just emerged from a nightmare and dropped bang-slap into another one.

"Scarlett!" she yells, though there's no need because she's standing right over the bed. "You were screaming in your sleep!"

"I was having a nightmare, Aunt Gwen," I say, flinching. "I'm sorry I woke you."

"I have a very busy day tomorrow! I have geography tests to invigilate for the lower fourth!"

Only Aunt Gwen would use a word like invigilate at--I squint at the clock--4:30 in the morning.

"I said I was sorry," I repeat. "I can't help having a nightmare."

She huffs loudly in disbelief. It's a famous Aunt Gwen noise; I've heard students imitating it in the corridors.

I can't help getting cross now.

"I can't help it," I protest. "I really can't."

Aunt Gwen knows what happened to me this summer: she knows a boy I was kissing dropped dead at my feet. How can she expect me just to push that aside as if it never happened?

Aunt Gwen huffs again, even louder. She doesn't care about what happened to me. She just wants to get her sleep. And she hates me.

But that's okay, because I hate her, too.

"This has got to stop," Aunt Gwen grumbles loudly. "I've had enough, d'you hear?"
She turns and stomps out of the room. I hear her slippers slapping back along the corridor, and the sound of her bedroom door slamming shut.

This does have to stop. That's the single thing Aunt Gwen and I agree on. I just don't know how.


"It's so weird that you started having these dreams now," Taylor says, pushing open the heavy glass door of the coffee shop with the effortless ease of a girl who does fifty push-ups before breakfast. I walk in and she follows me, holding the door till the person behind her, a man in a suit, can catch up to take it from her. He doesn't say
thank you. Taylor promptly lets the door go, and he staggers back under its weight.

"You're welcome," she says to him.

He goes bright red, still off-balance and struggling with the door, and to complete his humiliation, we both snicker as we walk toward the counter.

"I think I'm dreaming about Dan now because I can," I say. "Does that make sense?"

"Uh-uh." She shakes her head.

"What I mean is, before, I thought I killed him, right? But now I know it wasn't my fault he died, maybe I feel free-er to dream about him," I try to explain.

Taylor, who usually doesn't go for any kind of deep psychological exploration--she's an action girl through and through--actually looks as if she's thinking this theory over. Her heavy dark brows draw together over her green eyes in a frown of concentration, and she shakes her head, making her short dark hair look even shaggier, a gesture she does unconsciously when she's thinking hard.

"It was a huge deal," she concedes. "I mean, a guy dropping dead at your feet. I guess the weird thing is that you never dreamed about it before."

"Exactly! But now I can."

In the mirrored glass behind the counter of the coffee shop I see the man in the suit, standing behind us in the queue. He looks appalled, and he's actually backing away from us a bit.

I can't blame him. It's not exactly the kind of conversation you expect to hear in Latte-Licious from two sixteen-year-olds, is it? Death and nightmares and blame and guilt? Especially when one of those sixteen-year-olds has just shown how much stronger she is than you. Taylor's got a swimmer's build, with naturally wide shoulders, but all the upper-body work she does means that she looks pretty intimidating, and her fleece emphasizes that, making her look even fitter and sportier. Me, I did gymnastics for years, so I'm pretty fit too, but unfortunately, for purposes of intimidating people, I'm naturally curvy, with a layer of fat that Taylor doesn't seem to have. You'd expect Taylor to be able to chin her own weight; you'd be amazed to see me do it, though I can, easily. So we make a pretty good team, I suppose. Taylor's the obvious muscle, while I can look all girly and fool people into thinking I'd cry if I chipped a nail.

Scarlett Wakefield Series

Kiss of Death
Kiss in the Dark
Kisses and Lies
Kiss Me Kill Me

About the Author

Lauren Henderson
Lauren Henderson was born in London and went to North London Collegiate School (the model for Wakefield Hall in the Scarlett Wakefield series) and then to St. Paul’s Girls School (the model for St. Tabby’s). She went on to study English Literature at Cambridge University. Lauren worked as a journalist for newspapers and music magazines before moving to Tuscany to write books, work as a waitress, learn Italian, and party through the rest of her twenties. Finally, she dragged herself away from Italy, and, lured by Sex and the City, moved to Manhattan. After eight extremely action-packed years in New York, she is now settled in London with an American husband and two suitably neurotic New York cats. Lauren’s interests include trapeze classes, watching America’s Next Top Model, and eating complex carbohydrates.
 
Lauren has written seven novels in her Sam Jones mystery series, which has been optioned for an American TV series. She is also the author of many short stories and three romantic comedies—My Lurid Past, Don’t Even Think About It and Exes Anonymous, which has been optioned for a U.S. feature film.
 
Her weird and wonderful experiences of the very strange world of Manhattan dating led her to write a nonfiction book, Jane Austen’s Guide to Dating, which has been optioned as a feature film by Kiwi Smith, who wrote Ten Things I Hate About You and Legally Blonde. It takes the very sensible principles that the divine Jane Austen laid down in her six perfect novels, and interprets them for the modern girl, or woman, looking to find true love and a compatible life partner. Once she had worked them out, Lauren applied the “Jane Austen Rules” to her own dating life and promptly found her lovely, chivalrous husband, Greg, so she is living proof that they actually work!
 
Lauren is currently writing the Scarlett Wakefield YA mystery series for Delacorte in the United States. The first one, Kiss Me Kill Me, was nominated for an Anthony Award for Best YA Novel. The other books in the series so far are Kisses and Lies and Kiss in the Dark. The fourth and final book in the series will be out in February 2011, and Lauren then intends to start another YA mystery series.
 
Together with Stella Duffy, Lauren has edited an anthology of women-behaving-badly crime stories, Tart Noir. Lauren’s books have been translated into over twenty languages. Her MySpace address is myspace/mslaurenhenderson and her Web site is www.laurenhenderson.net. She loves to hear from her fans and promises to write back to everyone who contacts her on MySpace or her Web site!
 
Lauren has been described in the press as both the Dorothy Parker and the Betty Boop of the British crime novel. She also writes for many U.K.-based publications, including Grazia and Cosmopolitan, and several national newspapers. More by Lauren Henderson
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